TonightOnScreen Catalog
Explore Entertainment • Comedy
Search our curated catalog of cinema releases, binge-worthy series, and where to stream them.
Andhadhun
Sriram Raghavan's 2018 black comedy crime thriller Andhadhun is widely celebrated as one of the greatest, most ingeniously crafted screenplays in modern Indian cinema, winning three National Film Awards including Best Feature Film in Hindi and Best Actor for Ayushmann Khurrana. Khurrana stars as Akash, a talented Pune pianist who feigns complete blindness under the pretension that visual deprivation enhances his musical creativity. While performing at a private anniversary concert at the luxury apartment of washed-up 1970s Bollywood actor Pramod Sinha (Anil Dhawan), Akash inadvertently walks into a horrific crime scene: Pramod lies dead on the floor, murdered by his seductive younger wife Simi (Tabu in a delightfully wicked, career-best turn) and her corrupt police inspector lover Manohar (Manav Vij). Trapped in a terrifying dilemma, Akash must perform Beethoven on the piano while literally stepping over a corpse without revealing that he can see. As Simi discovers his secret, a chaotic spiral of poisonings, organ harvesting, and blind escapes ensues. Concluding with a legendary, endlessly debated open-ended final cane flick, Andhadhun grossed over ₹450 crore worldwide, becoming a massive blockbuster in India and China.
Dil Chahta Hai
Written and directed by Farhan Akhtar in a historic directorial debut that permanently transformed modern Hindi cinema, Dil Chahta Hai (The Heart Yearns, 2001) won the National Film Award for Best Feature Film in Hindi and two Filmfare Awards, universally hailed as the definitive coming-of-age cultural touchstone for urban Indian youth. Shattering the melodramatic tropes and traditional conventions of Bollywood, the film brought authentic conversational dialogue, chic western fashion, contemporary humor, and emotional maturity to the screen. The narrative chronicles the enduring bond and subsequent emotional fracturing of three inseparable wealthy Mumbai college graduates: Akash Malhotra (Aamir Khan in an iconic goatee and charmingly cynical persona who disbelieves in true love), Sameer (Saif Ali Khan in a career-redefining, delightfully vulnerable comic turn who falls in love at the drop of a hat), and Siddharth 'Sid' Sinha (Akshaye Khanna in a deeply sensitive, poetic, and National Award-worthy dramatic masterclass). Following a legendary, celebratory road trip to the scenic ruins of Chapora Fort in Goa—which permanently turned Goa into an essential pilgrimage site for Indian youth—the trio's carefree fraternity fractures as adult realities intrude. Akash is dispatched to Sydney, Australia, to manage his family's business, where he unexpectedly falls deeply in love with Shalini (Preity Zinta in a radiant, progressive performance). Meanwhile, Sid shocks his family and friends by falling in love with Tara Jaiswal (Dimple Kapadia), an older, divorced alcoholic interior designer, leading to a bitter confrontation with Akash. Featuring Shankar-Ehsaan-Loy's fresh pop-rock soundtrack and Ravi K. Chandran's glossy cinematography, Dil Chahta Hai is an immortal celebration of youthful brotherhood, love, and maturity.
Badhaai Ho
Directed by Amit Ravindernath Sharma, the 2018 comedy-drama Badhaai Ho was a colossal sleeper blockbuster, grossing over ₹220 crore worldwide on a modest budget and winning two National Film Awards. Ayushmann Khurrana stars as Nakul Kaushik, a 25-year-old middle-class Delhi corporate executive planning his marriage to his wealthy girlfriend Renee (Sanya Malhotra). Nakul's world is turned upside down when his middle-aged parents—gentle railway ticket collector Jeetender (Gajraj Rao in an immortal, endearing turn) and his devoted homemaker wife Priyamvada (Neena Gupta in a career-reviving, heartwarming performance)—discover they are unexpectedly pregnant in their late fifties. Mortified by societal gossip, neighborhood mockery, and the sharp tongue of his grandmother (Surekha Sikri, who won the National Film Award for Best Supporting Actress), Nakul distances himself from his parents in shame. However, as relatives insult his mother and the reality of family solidarity takes hold, Nakul stands up for his parents' love and dignity. Blending laugh-out-loud situational comedy with tender progressive emotion, Badhaai Ho broke taboos on mature intimacy with extraordinary warmth. Winner of two National Film Awards, Badhaai Ho struck a profound chord across urban and rural demographics, solidifying Hindi cinema's golden era of progressive family comedies that tackle cultural stigmas with heartwarming empathy and sparkling humor.
Vikramarkudu
Vikramarkudu is an electrifying, furiously entertaining, and massively influential action masala masterpiece directed by S. S. Rajamouli, showcasing 'Mass Maharaja' Ravi Teja in a legendary dual performance that redefined heroic archetypes and became a nationwide sensation, spawning blockbuster remakes in Hindi (Rowdy Rathore starring Akshay Kumar), Tamil (Siruthai starring Karthi), Kannada (Veera Madakari), and Bengali. The narrative opens in Hyderabad with Athili Sathi Babu, a clever, street-smart petty thief and con man who, alongside his loyal sidekick Duvva Abbulu, pulls off humorous heists while falling head over heels for a spirited rural girl named Neeraja. Sathi Babu's carefree life is upended when a mysterious trunk he steals reveals not gold or jewels, but a terrified little girl named Neha who clings to him, tearfully calling him 'Daddy'. Convinced he has been framed, Sathi Babu tries desperately to abandon her, but finds his conscience stirred as brutal, machete-wielding assassins descend upon them from the lawless badlands of Chambal. When Sathi Babu is ambushed and on the verge of death, the mysterious assassins are wiped out by a terrifyingly identical figure: Assistant Superintendent of Police Vikram Singh Rathore. The mortally wounded police officer's backstory is revealed: a fearless, unbribable cop who single-handedly waged war against the barbaric feudal despot Bavuji and his depraved son Munna in the terrorized village of Devgarh. Before succumbing to bullet wounds, Rathore entrusts his daughter to Sathi Babu. Deeply moved and transformed by the noble sacrifice, the petty con man assumes the identity of Vikram Rathore, strapping on the khaki uniform to unleash absolute, ruthless vengeance on Bavuji's criminal empire.
Eega
Eega (released in Hindi as Makkhi) is an astonishingly inventive, globally acclaimed, and delightfully audacious fantasy revenge thriller directed by S. S. Rajamouli, widely celebrated as one of the most uniquely creative achievements in the history of commercial Indian cinema. The heartwarming first act follows Nani, a cheerful, hardworking graphic designer who has spent two years patiently and playfully wooing Bindu, a gentle micro-artist and NGO worker who secretly reciprocates his deep affection but loves keeping him guessing. Their blossoming romance is abruptly shattered by Sudeep, an immensely wealthy, narcissistic, and predatory industrialist who is accustomed to possessing any woman he desires. When Sudeep sets his sights on Bindu and realizes she loves Nani instead of him, his psychopathic vanity curdles into murderous rage. Sudeep kidnaps Nani, brutally tortures him, and hangs him in an abandoned warehouse, staging the murder as a suicide just as Bindu is preparing to confess her love. In his dying breath, Nani vows vengeance. In an unprecedented narrative leap, Nani is reincarnated as a common housefly — an eega — endowed with human memories, consciousness, and an unquenchable thirst for retribution. Realizing his microscopic physical vulnerability, the fly uses razor-sharp intellect, tactical sabotage, and psychological warfare to make Sudeep's life a living nightmare: causing catastrophic car accidents, triggering insomnia, ruining multimillion-dollar business deals, and tattooing warnings in spilled tea. When Sudeep discovers the fly is Nani's spirit, he deploys flamethrowers, bodyguards, and occultists, culminating in an electrifying, emotional showdown where the tiny insect arms himself with miniature needles to protect Bindu and destroy his killer.
Sharaabi
Sharaabi represents the pinnacle of emotional melodrama and tragic character study within Amitabh Bachchan's illustrious collaboration with director Prakash Mehra. At the beating heart of this musical masterpiece is Vicky Kapoor, the solitary and deeply sensitive son of an ultra-wealthy, emotionally distant industrialist, Amarnath Kapoor. Deprived of maternal warmth since infancy and perpetually sidelined by a father who measures life exclusively in ledger balances and commercial profits, Vicky seeks sanctuary from cold loneliness inside bottles of alcohol. Beneath his perpetual intoxication, however, lies an extraordinarily generous, erudite, and righteous soul who uses his fortune to aid the destitute, defend the defenseless, and mock the hollow vanity of aristocratic high society. Raised with genuine affection only by the household blind servant and a devoted munshi, Vicky's aimless existence finds profound purpose and redemptive light when he encounters Meena, a talented, dignified dancer striving to care for her aging father. As Vicky falls deeply in love with Meena's grace and unyielding self-respect, he strives to overcome his crippling addiction to prove his worthiness. However, cruel misunderstandings, class prejudices orchestrated by corrupt business associates, and the stubborn arrogance of his father threaten to tear their fragile romance apart. Enriched by Bappi Lahiri's immortal musical score and Kishore Kumar's timeless vocals—featuring classics like 'Inteha Ho Gayi Intezaar Ki' and 'De De Pyar De'—Sharaabi weaves an intensely moving portrait of familial alienation, unrequited parental affection, and the desperate yearning for human connection that elevates commercial Hindi cinema to high art.
Newton
Directed by Amit V. Masurkar, the 2017 black comedy political satire Newton captured the National Film Award for Best Feature Film in Hindi and was selected as India's official submission for the Best Foreign Language Film at the 90th Academy Awards. Rajkummar Rao delivers an extraordinary, critically lauded performance as Nutan 'Newton' Kumar, an idealistic, incorruptible young government clerk obsessed with honesty and punctuality. Newton volunteers for a perilous election duty assignment in a remote, conflict-ridden tribal village nestled deep in the dense, Naxalite-controlled jungles of Chhattisgarh. Accompanied by cynical, battle-hardened CRPF Assistant Commandant Aatma Singh (Pankaj Tripathi in an exquisite, nuanced turn of pragmatic fatigue) and local tribal election liaison Malko (Anjali Patil), Newton is determined to conduct free and fair voting for the village's 76 registered voters using an electronic voting machine. Confronted by terrified tribal villagers who have never heard of democracy, staged voting for international journalists, and armed military intimidation, Newton's stubborn moral compass sparks a dark, poignant battle of wills. An essential cinematic reflection on democracy.
Maryada Ramanna
Maryada Ramanna is a masterclass in high-concept comedic suspense and clockwork narrative tension directed by S. S. Rajamouli, which proved that the visionary filmmaker could deliver an industry-wide blockbuster without massive star power or colossal battle sequences, relying purely on impeccable writing, situational irony, and edge-of-the-seat storytelling (later remade into the Hindi box-office hit Son of Sardaar starring Ajay Devgn). The premise is rooted in the fierce, blood-soaked faction feud culture of Rayalaseema, where an ancient tribal code dictates that even your worst mortal enemy cannot be harmed while they are a guest inside your home. The protagonist is Kovelamudi Ramu, a gentle, painfully naive, and impoverished young man struggling to make ends meet in Hyderabad with his loyal bicycle. Ramu discovers that he has inherited five acres of ancestral land in a distant Rayalaseema village and travels there on a train, striking up a warm, charming friendship with a spirited co-passenger named Aparna. Upon reaching the village, Ramu is hospitably welcomed into the palatial mansion of Ramineedu, a fearsome factionist patriarch and Aparna's father. While enjoying the family's lavish feast, Ramu is horrified to discover that Ramineedu's brother was killed twenty-eight years ago by Ramu's father, and Ramineedu and his bloodthirsty sons have sworn a blood oath to butcher the killer's heir on sight. However, because Ramu entered as a guest, the code of hospitality forbids them from killing him indoors. What ensues is an exquisitely tortuous, hilarious psychological thriller as Ramu invents absurd excuses to remain permanently trapped inside the house, while the family waits with gleaming axes just outside the front door.
Stree 2
Amar Kaushik's 2024 blockbuster Stree 2: Sarkate Ka Aatank, produced by Dinesh Vijan under the Maddock Supernatural Universe, made box office history by grossing over ₹850 crore worldwide to become the highest-grossing Hindi film of all time in domestic net collections. Returning to the eerie, folklore-rich town of Chanderi, the narrative picks up years after the town was liberated from the vengeful female spirit Stree. However, a terrifying new supernatural entity arrives: 'Sarkata'—a headless, misogynistic demonic demon who abducts modern, independent women to drag society back into patriarchal darkness. Vicky (Rajkummar Rao in a comedic, romantic tour de force), alongside his loyal bickering friends Bittu (Aparshakti Khurana) and Janna (Abhishek Banerjee), and wise occult scholar Rudra Bhaiya (Pankaj Tripathi), must seek the help of their former adversary Stree and the enigmatic, nameless ghost-woman (Shraddha Kapoor). Blending laugh-out-loud situational comedy, jump scares, and sharp progressive satire with unforgettable cameos by Varun Dhawan (as Bhediya) and Akshay Kumar, Stree 2 redefined the horror-comedy genre in Indian cinema. Breaking all previous records held by Bollywood giants, Stree 2 demonstrated the immense commercial potential of India's indigenous horror-comedy folklore. Its infectious blend of genuine terror, razor-sharp dialogue, and stellar comedic chemistry between Rajkummar Rao, Shraddha Kapoor, and Pankaj Tripathi elevated the Maddock Supernatural Universe into a multi-billion-rupee cinematic juggernaut.
Naseeb
Naseeb is the ultimate quintessential Bollywood multi-starrer masala extravaganza, conceptualized and executed on a dazzling, larger-than-life scale by master showman Manmohan Desai. The story initiates with four destitute friends—Namdev, Raghu, Damu, and Jaggi—who purchase a five-rupee lottery ticket that unexpectedly wins a life-changing jackpot of two million rupees. Blocs of greed and betrayal swiftly infect the group: Raghu and Damu brutally murder Jaggi and frame Namdev for the slaughter, usurping the entire fortune to construct an opulent criminal empire anchored by luxury five-star hotels and smuggling enterprises, while Namdev flees into exile. Decades later, destiny spins its inevitable carousel of retribution as the next generation enters the fray. John, Namdev's cheerful and fearless elder son working as a singing waiter in Raghu and Damu's glamorous hotel, forms an unbreakable bond of brotherhood with Sunny, Raghu's righteous son who has trained as a lawyer, and Vicky, Damu's son studying abroad. When John falls in love with the spirited pop sensation Asha and discovers the horrifying truth about the conspiracy that framed his father and destroyed his family, the stage is set for a high-octane battle of loyalty, justice, and redemption. Packed with spectacular action choreography, thrilling disguises, and unforgettable pop-culture milestones—including the legendary song 'John Jani Janardhan' featuring cameos from Bollywood’s reigning royalty, and a jaw-dropping final climax set aboard a blazing, revolving restaurant—Naseeb stands as an infectious, timeless testament to the golden era of grand Hindi entertainment.